Monday, 23 March 2015

Analysis Sheets - Pulp Fiction & He Got Game


 He Got Game

Title: He Got Game
Director: Spike Lee
Writer: Spike Lee
Producer: Sonya Burres, Spike Lee

Production Company: 40 Acres and a Mule
Budget: £16,718,494
Box Office: £14,420,388
Cast:  Denzel Washington  - Jake Shuttlesworth
Ray Allen - Jesus Shuttlesworth
Milla Jovovich - Dakota Burns
Rosario Dawson - Lala Bonilla
Hill Harper - Coleman 'Booger' Sykes
Zelda Harris - Mary Shuttlesworth

Genre: Sports, Drama, Social Realism, Living with Crime

Themes: Competition, Decision, Paternity, Conscience
Year: May 1st, 1998


Pulp Fiction

Title: Pulp Fiction
Director: Quentin Tarantino
Writer: Quentin Tarantino, Roger Avery
Producer: Danny DeVito, Lawrence Bender  

Production Company: Miramax
Budget: £5,348,416
Box Office: £143,033,976
Cast:  Tim Roth - Pumpkin / Ringo
Amanda Plummer - Honey Bunny / Yolanda
John Travolta - Vincent Vega
Samuel L. Jackson  - Jules Winnfield
Bruce Willis - Butch Coolidge
Genre: Crime, Thriller, Action, Drama, Dark Comedy

Themes: Crime, Drugs, Betrayal.

Year: October 14th 1994



Thursday, 19 March 2015

American Comparative study: Miracle at St. Anna & Inglorious Bastards

Both Inglorious Bastards and Miracle at St. Anna are WW2 films and follow a group of soldiers, not often represented in today’s film industry. The WW2 action film Genre is an oversaturated market but Inglorious Bastards and Miracle at St. Anna differ from the norm due to their perspective. Miracle at St. Anna is told from the perspective of a platoon of black soldiers, this an uncommon perspective for WW2 films, though it follows the conventions of the director Spike lee whose films are often told from a black perspective. Inglorious Bastards is told from the perspective of a group of Jewish soldiers in Germany who use fear and intimidation to fight fire with fire.


Both groups within the films are an oppressed minority, in Miracle at St. Anna the black soldiers are thought of as very little by their white commander who has no problems shelling their position, not believing that they are capable of getting across the river which for all intents and purposes was a suicide mission which is why the black soldiers were sent first.

The story telling of both films is different in the sense that neither has a conventional way of telling their narrative. Miracle at St. Anna uses many flashbacks, and the main course of the film is set during one of these flashbacks. Inglorious Bastards tells two stories concurrently, it also used flashbacks and flash forwards, although to a lesser degree. The films differ in their presentation; one could argue that Inglorious Bastards uses a large amount of Black humour in order to tell the story, whereas the only comedic relief in Miracle at St. Anna is the slightly slow soldier who looks after the boy.


In conclusion Miracle at St. Anna share many similarities with Inglorious bastards in its themes of an oppressed minority refusing to be victims despite their often desperate situation.  

Monday, 16 March 2015

Film Reflective Analysis


For my film the initial idea was different from the outcome, my original aim of the film I found required to wide a variety of locations and props to be an enjoyable and realistic presentation of what I outlined in my proposal, I felt that I did not have the necessary resources to faithfully depict my idea and so instead I opted to change it. My second idea differed greatly from my original proposal, although some similarities can be found in the themes. When planning my new idea I took into account more closely the resources at my disposal and made judgements based on what I could accurately achieve. Once I settled on the current idea, I was fortunate enough to already have a location that fitted the vision of what I was trying to detail, when I was originally thinking up the idea I decided an older grizzled looking man would be appropriate, but finding someone matching that description proved difficult and in the end I settled on my own Grandmother who also had a good location in which to present the idea of an older person who is shut away from the world as my Grandmother’s house is rather old and the interior is exactly what I had in mind when deciding where to shoot the opening portion of my Film.

To begin with I began the shooting at night, the location of where I was shooting had a small fireplace which I used to create a more natural looking light rather than the harsh orange like glow that you can often get with an artificial light like a lamp. I felt this idea helped with the presentation of the scene as it left a lot of the room dark and obscured which led to a sense of mystery in the viewers who have seen the film. On the first day of shooting I shot the indoor scenes at night but as I made my way outside I again was faced with the realisation that I could not adequately shoot good shots in such low light, especially as most of the outdoor shots were set in Rural areas where there is no lights from streetlamps of other houses. I decided to keep the indoor scenes that I filmed that day and implement it into my final edit as I felt that the dark helped with the idea that the lady was a shut in and had her curtains drawn to allow for as little light as possible. When I came back to shoot during the daylight though the light cast into the room was far too bright and made the scenes I filmed during the night look unrealistic, to combat this I had to cover some windows and turn off the lights. This made it look good enough that people couldn’t tell without prior knowledge.

The next issue I had was making the shots of walking through the woods match up properly as they were filmed at different locations; I had to edit it in a way where it seemed progressive when in fact it was not. You could tell it was not progressive in the shot down the muddy track but at that point I decided that the audience would assume it was a time later as I felt if I was to show the whole journey it would become monotonous and wasn’t entirely necessary as those shots were the just to established the fact that it was a rather arduous journey for someone who does not leave the house often, to accentuate the difficulty I got my Grandmother (Who was playing the old woman) to appear more hunched and have a more laboured gait than would naturally come to her, I felt she did a good job given her limited experience with acting although in the final scenes I decided to cut out the part where she speaks as the sound wasn’t right and she couldn’t quite match the tone I was looking for, what she was saying mattered less as she was speaking Italian but overlook her tone and opted instead just to remove the scene.

In conclusion despite the difficulty in getting the right locations and having the correct resources I overcame this by adapting my idea to the constraints I had, I felt I handled It well and still managed to come up with a competent film that was close enough to my idea.  

Saturday, 14 March 2015

Analysis Sheet - My Brother the Devil, Fish Tank, & The Selfish Giant

My Brother the Devil 



Title: My Brother the Devil
Director: Sally El Hosaini
Writer: Sally El Hosaini
Producer: Julia Godzinskaya

Production Company: Rooks Nest Entertainment, Wild Horses Film Company, Film-Clinic, Blood Brothers Films
Budget:
Box Office: £806,386
Cast:
James Floyd- Rashid
Fady Elsayed- Mo
Anthony Welsh- Izzi
Amira Ghazalla- Hanan
Nasser Memarzia- Abdul-Aziz
Saïd Taghmaoui– Sayid
Genre: Social Realism, Crime, Drama

Themes: Identity, Living with crime, secrecy, Love
Year: 9th November 2012


Fish Tank



Title: Fish Tank

Director: Andrea Arnold
Writer: Andrea Arnold
Producer: Kees Kasander

Production Company: BBC Films, UK Film Council
Budget: £1.8M
Box Office: £1.5M
Cast: Katie Jarvis -Mia
Michael Fassbender - Connor
Kierston Wareing - Joanne
Rebecca Griffith- Tyler
Genre: Social Realism, Drama, Crime

Themes: Living with Crime, Hope, isolation,
Year: 11 September 2009

The Selfish Giant



Title: Selfish Giant

Director: Clio Barnard
Writer: Clio Barnard, Oscar Wilde ( Inspired)

Producer:
Production Company: British Film Institute, Film4, Moonspun Films
Budget:

Box Office: £633,578
Cast:
Conner Chapman- Arbor
Shaun Thomas         - Swifty
Sean Gilder- Kitten
Genre: Drama, Crime

Themes: Friendship, Living with crime, Fear,
Year: 2013




Analysis Sheet - Inglorious Bastards & Miracle at St. Anna


Inglorious Bastards

Title: Inglorious Bastards
Director: Quentin Tarantino, Eli Roth ( Uncredited)
Writer: Quentin Tarantino
Producer: Lawrence Bender
Production Company: A Band Apart, Studio Babelsberg
Budget: £50,395,944
Box Office: £80,988,253
Cast: Brad Pit- Lt. Aldo Raine
Mélanie Laurent- Shosanna
Christoph Waltz       - Col. Hans Landa
Eli Roth- Sgt. Donny Donowitz
Michael Fassbender- Lt. Archie Hicox
Genre: WW2, Action, Dark Humour

Themes: History, Tyranny, Camaraderie
Year: 2009


Miracle at St. Anna



Title: Miracle at St. Anna
Director: Spike Lee
Writer: James McBride
Producer: Spike Lee

Production Company: 40 Acres and a Mule
Budget: £30,226,701
Box Office: £5,319,291
Cast:
Derek Luke- 2nd Staff Sergeant Aubrey Stamps
Michael Ealy- Sergeant Bishop Cummings
Laz Alonso- Corporal Hector Negron
Omar Benson Miller- Private First Class Sam Train
Pierfrancesco Favino- Peppi 'The Great Butterfly' Grotta
Valentina Cervi- Renata
Genre: WW2, War, Action

Themes: History, Betrayal, love, Hopelessness
Year: 2008

Tuesday, 10 March 2015

Revision Schedule

Monday
American Films, Miracle at St. Anna Inglorious Bastards

Tuesday
British Films, My Brother the Devil, Selfish Giant, Fish tank
Wednesday
Comparison Practice
Thursday
Past Exam Question
Friday
Film Industry
Saturday
Past Exam Question
Sunday
Social Media